Who is wicks on banshee

But Hood, he remembers. Very well. They met while Hood was laying up in prison hospital. Back in the present, Hood tries to shake Wicks, but the crafty lifetime con is not willing to be shook. So Hood ends up getting this young dude to bring him to see the Albino. This guy is downright awful. Especially when threatening Hood with forcible oral sex. So afterwards, Hood lays a merciless stabbing on Billy B, right in the mouth. He sends Wicks off with a bus ticket to wherever, trying to put it in his rear-view.

Back in the day, she did some dancing for Kai, before her marriage to Arthur. So naturally, Kai gets the upper hand threatening Arthur with releasing all sorts of pictures, and a video. Gross way to do business. Sad to see this in any family.

Everything weighs on her. But back to Hood in prison. What will he do? Instead of going away, Wicks uses the money Hood gave him to gamble.

Looking for more. She blames it on the recent attack, the bikers. Wicks makes the mistake of threatening Hood with revealing the truth. Before any of that, we see what happened with Hood in jail concerning the Albino. Faced with either sucking cock or dying, and possibly still dying after sucking it, Hood manages to do what no one has ever done — after a lengthy, brutal, bloody fight, he manages to kill the hulking Albino in the most savage way possible.

Everyone sees, everyone respects. Carrie calls her father. She wants to put things behind them, promising to bring Hood to him. Lucas is then able to subdue him and choke him into unconsciousness.

With the Albino unable to fight back, Lucas ends it in brutal style. No one else in the prison wants to mess with him now. Later that night, Sugar and Lucas are on the local lake, talking about the kind of person that Wicks is and that no matter how much you give them, they always want more; that some people are just made to bring you down.

As Lucas and Sugar row back to shore, the camera pans below the surface to reveal that Wicks is now dead and unable to bother them any longer. In one of the last scenes, Carrie calls her father and agrees to bring Lucas to him by the end of the week. DarkMedia contributor Julianne Snow was first lulled into the horror genre by her parents during an ill-advised viewing of Alien when she was only 4 years old. Her short fiction has appeared in anthologies from Sirens Call Publications and Open Casket Press , as well as The Sirens Call and various other websites showcasing short fiction.

She is the author of the Days with the Undead series, which can be found on her website dayswiththeundead. Her first novel, Days with the Undead: Book One was published in early and is based on her popular web serial. Find her on Twitter CdnZmbiRytr. Share it! Tweet About The Author DarkMedia contributor Julianne Snow was first lulled into the horror genre by her parents during an ill-advised viewing of Alien when she was only 4 years old.

Her short fiction has appeared in anthologies from Sirens Call Publications and Open Casket Press, as well as The Sirens Call and various other websites showcasing short fiction. She is the author of the Days with the Undead series, which can be found on her website. Like clockwork, the guards move and, like some kind of steroid infused Ziggy Stardust monster with someone holding a black umbrella for him because of his sensitivity to light; here comes The Albino.

They bring Hood inside and he and The Albino are together in the middle of a circle for all of the prison inmates to see. The Albino, razor in hand, forces Hood to get on his knees. What ensues is yet another gory and bloody battle: a David versus Goliath fight scene that leaves the other cons in awe.

After finally subduing the giant, Hood balances his head on a long curling bar before picking up a circular pound weight and slamming it down on The Albino. New kid in town wins. It was absolutely brutal and taut with tension and heightened fear. This certainly explains the nightmares and images Hood has suffered throughout the season.

Sugar and Hood are on the lake in a rowboat drinking, talking about guys like Wicks and what kinds of poisons they are. Living for favors and handouts, using information they have on someone. The camera pans below the boat like in a Jaws movie all the way to the bottom of the lake where Wicks is weighted down, as in dead.

It was in that moment that I realized Wicks had been dead since he had the steak earlier that night. This installment of Banshee reminded me of an early Sopranos episode where Tony takes Meadow to look at colleges and finds a former mobster in the witness protection program that the boss has to kill. Banshee knows how to use the flashback sequence properly and it pays off brilliantly, giving us some great insight into Hood and what drives him.

Unlike my review of The Following , Banshee utilizes flashbacks to actually move the story forward, not stall it in many different places in time. The death of Wicks was inevitable and something that only men like Sugar can understand. The past is obdurate and has no business in the present. Especially in Banshee, PA.

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